Describe the shift in artistic patronage that developed in the 1600s, and identify key factors that signified the diminishing power of the church. Give one (1) example of an artist and his / her artwork or a composer and his / her musical composition, and identify the artist’s or composer’s patron after the shift in artistic patronage
Discuss the concept of the “noble savage,” as developed by Rousseau. Explain the manner in which such a concept reflected or contradicted the general philosophical views of the Enlightenment
Please be detailed
Cites and refernces, please
No plagarism or copy ( will be checked)
Only original answers
Please meet deadline